Several years ago, Pierre-Laurent Aimard took a sabbatical to dedicate himself to the first volume of Bach’s Well-tempered Clavier without any distractions. With similar commitment he has now explored the second part of this masterpiece. Bringing the series of 24 preludes and fugues to the Pierre Boulez Saal, Aimard invites audiences to experience Bach’s unique mastery of blending boundless creative freedom with architectural rigor.